The sculptor Mogens Møller is trained in the classical principals of sculpture. He later became a minimalist and one of the central works from that time is four square frames from 1966 of which Art Historian Else Marie Bukdahl says: “(The piece) creates new spaces and relations between viewer, work and surroundings and at the same time it points to the perspective of the infinite”.
From text Hermes and the Sfinx by Karsten Orht, 2002